By Jim Cheng,James Wicks,Sachie Noguchi
Organized intuitively, the quantity starts off in regards fabrics (biblographies, cinematographies, directories, indexes, dictionaries, and handbooks) after which strikes via movie background (the colonial interval, Taiwan dialect movie, new Taiwan cinema, the 2/28 incident); movie genres (animated, anticommunist, documentary, ethnographic, martial arts, teen); movie stories; movie thought and method; interdisciplinary stories (Taiwan and mainland China, Taiwan and Japan, movie and aboriginal peoples, movie and literature, movie and nationality); biographical fabrics; movie tales, screenplays, and scripts; movie know-how; and miscellaneous features of Taiwanese movie scholarship (artifacts, acts of censorship, copyright legislations, distribution channels, movie fairs, and practice). Works written in a number of languages contain transliteration/romanized and unique script entries, which stick with common AACR-2 and American cataloguing criteria, notations through the editors to assist within the use of sources.
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