The sonic has come to occupy heart degree within the arts and arts. within the age of computational media, sound and its subcultures can supply extra dynamic methods of accounting for our bodies, routine, and occasions. In The Rhythmic Event, Eleni Ikoniadou explores lines and prospects triggered through the sonic yet resulting in contingent and unknowable forces outdoor the outer edge of sound. She investigates the ways that contemporary electronic artwork experiments that normally interact with the digital dimensions of sound recommend trade modes of notion, temporality, and adventure. Ikoniadou attracts on media idea, electronic paintings, and philosophical and technoscientific principles to paintings towards the articulation of a media philosophy that rethinks the media occasion as summary and affective. The Rhythmic occasion seeks to outline the electronic media paintings as an assemblage of sensations that outlive the distance, time, and our bodies that represent and adventure it. Ikoniadou proposes that the thought of rhythm--detached, even though, from the assumption of counting and regularity -- can liberate the imperceptible, aesthetic strength enveloping the paintings. She speculates that addressing the development at the point of rhythm offers us a glimpse into the nonhuman modalities of notion right to the electronic and hidden within the gaps among strict definitions (e.g., human/sonic/digital) and fake dichotomies (e.g., virtual/real). working on the margins of belief, the rhythmic paintings summons an vague area of sonic proposal, which considers the development in accordance with its strength to become.