By William Greenway
Chapters are dedicated to his poetic views, starting from the microscopic to the cosmic; his strange perceptions of the area, which a few critics have defined as these of a nearly altered truth; his diction, or operating vocabulary; his penchant for refurbishing clichés; his hilarious humorousness and linguistic playfulness; his improvement as a poet; and his drawback for sound, usually leading to a lofty, every now and then Biblical, although secular, tone.
In precis, the research absolutely explores the center and brain at the back of the poems, and exhibits why his paintings will continuously stay within the most sensible rank of English poetry.
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